On Materiality

My work begins where photography reaches its limits: the space between the materiality of the subject and its representation.

I use photography as a material research practice. When I make my own paper to find the proper texture, crush pigments into the ink, or thread the needle through the book spine, it is not an interpretation of the work: it is the piece itself, built through a chain of deliberate gestures.

In a world where photography is increasingly viewed as content, I want to bring it to the rank of métier d'art: a physical object whose way of occupying space, holding light, and inviting touch reveals the tension between image and matter.